Trey Edward Shults’s It Comes at Night Is a Horror Triumph

A red door is, biblically speaking, a sign of protection, an echo of the blood rubbed on posts and lintels during Passover to keep God from smiting you and your home. But like most things that the Bible insists are positive, the red door also comes with an undercurrent of…

Artist Jen Clay on Nearing, Sesame Street, and Ghosts in the Woods

In Jen Clay’s universe, nothing is quite what it seems. Her creativity thrives in the gap between real and imagined worlds. The multimedia artist explores that tension in Nearing, a multidisciplinary performance taking place Saturday, June 3, at ArtServe. It’s the third of four events courtesy of the Girls’ Club series Offsite Performances, which presents the work of local female artists in nontraditional locations.

Churchill Squanders History and an Ace Brian Cox Performance

There will always be, it’s become clear, one more Winston Churchill story to tell: one more slant on a weekend, a summer, a year in the life of the 20th century’s most formidable leader, a man whose history includes two world wars and speeches so glorious that future dramatizations were…

Wonder Woman Emerges to Save the World But Risks Losing Herself

Perhaps Wonder Woman’s greatest superpower is enduring for the past 75 years as a wildly unstable signifier. Patty Jenkins’ Wonder Woman, starring Gal Gadot in the title role, further adds to this complicated, contradictory cluster of signs and symbols. Forged from deeply feminist sympathies, the character debuted in All Star…

The Elián González Doc Is a Time Capsule of Bad Behavior

The documentary Elián posits the story of 5-year-old Elián González, who was rescued off the coast of Florida in 1999 after attempting to leave Cuba with his mother (who drowned) — a long with its aftermath — as the birth of the 24-hour news cycle. More striking here, though, is…

Azazel Jacobs’s The Lovers Plumbs the Mysteries of Matrimony

A comedy, and also a tragedy, of remarriage — without couples counseling or divorce — writer-director Azazel Jacobs’ The Lovers revitalizes its genre with a piquant premise: What happens when long-wedded spouses, each with a romantic partner outside their dormant dyad, find the spark reignited — a combustion that results…

Paris Can Wait Squanders Diane Lane — and Lots of Nice Dinners

Where are the goddamned roles for Diane Lane? Since her career launched, with a starring role as a precocious 13-year-old American girl in Paris in 1979’s A Little Romance, Lane seems to have confounded casting directors: Is she the button-nosed embodiment of joie de vivre or the anarchist post-punk tempest…

12 Reasons Why You Shouldn’t Fear 2017’s Summer Movie Season

Pour one out for the summer movie season, which was once Memorial Day till Labor Day but now has spread like a self-replicating, geometrically evolving A.I. determined to cleanse the Earth of human vermin. Around the turn of the century, the summer movies started showing up the first weekend in…

Alien: Covenant: In Space No One Can Hear You Philosophize

If nothing else, Alien: Covenant is the most ambitious Alien film ever made. It’s almost as if Ridley Scott, foiled in his recent attempts at biblical epics, metaphysical dramas and thorny psychosexual thrillers, decided to revisit those genres under cover of a prized franchise sequel. That’s not to suggest that…

Lowriders Fixes Up Old Family-Drama Plot Points

A sleepy earnestness both ennobles and afflicts Ricardo de Montreuil’s fathers-and-sons story, Lowriders. At first the film plays as a low-key corrective, a Hollywood drama with name producers (Brian Grazer, Jason Blum) that, outside a couple of tutorial info-dumps covering cultural basics, presents East Los Angeles lives like pretty much…

War Thriller The Wall Dares America to Hate It

America is going to hate this movie. Doug Liman’s The Wall — whose title will forever demand that, when bringing up the film in conversation, you’ll have to say, “No, the other Wall” — is a mean little thriller set in our desert wars, and its only American soldiers are…

The Dinner Is an Invitation to Decline

Steve Coogan is at a fancy dinner, but he’s not doing any Michael Caine impressions. Instead, he’s brooding with resentment of his workaholic congressman brother, Stan (Richard Gere), and grappling with the realization that his son might be a psychopath. It’s all supposed to be harrowing, and the British comedian…