For all their exceptionality, there is also a numbing sameness to the movies of Hayao Miyazaki, the revered animator who has bewitched Japanese audiences since the late 1970s and bewildered American ones since 1999, when Princess Mononoke was among the first of his movies to receive significant stateside release. There…
You’re a talented young resident at a New York hospital, first-generation Chinese, and you happen to be gay. In fact, you’re dating a new and exciting woman, a dancer with the city ballet, and she wants you to share the relationship with the world — and your family. But can…
Alex Gibney’s Enron: The Smartest Guys in the Room is a thoroughly professional, frequently spectacular piece of muckraking. But any American who hopes to watch this portrait of unfettered corporate greed, cynical power lust, and outrageous deception without going postal about an hour into the thing would do well to…
The consequences of marital discord in Mr. & Mrs. Smith go way beyond sleeping on the couch or maintaining icy silence at the breakfast table. Thanks to a cartoonish premise by British screenwriter Simon Kinberg — and the dictates of the summer-movie marketplace — the battling Smiths of the title…
Robert Rodriguez just keeps cranking ’em out. This hasn’t always been a good thing — Spy Kids 2 and 3 felt rushed in a way that the first one didn’t, and Once Upon a Time in Mexico looked cheap compared to its cinematic predecessor, Desperado. But the more Rodriguez keeps…
About a year ago, buzz started building among horror fans about a French slasher movie titled Haute Tension, about two girls who go to a country house and get terrorized by a maniac in workman’s coveralls. It had been well received in Europe, and horror geeks with websites here occasionally…
There was no reason to expect much from Cinderella Man, Ron Howard’s biography of boxer James Braddock, who in the summer of 1935 became the most unlikely heavyweight champion in the history of boxing. After all, it’s a true tale whose outcome has been predetermined; surely there could be no…
Lords of Dogtown is an odd, disorienting commodity — a fictional version of a documentary (Dogtown and Z-Boys) about the birth of skateboarding in 1970s Venice, California, that was written by the man who directed said doc, in which he was a central figure. Stacy Peralta, whose Dogtown and Z-Boys…
The Sisterhood of the Traveling Pants is a flawed movie born of a flawed novel, but let this be clear: Girls will eat it up with a spoon. It features three young stars, indulges in rampant romantic fantasy, drips with teary-eyed sentimentality, and pays a heapload of lip service to…
Ten is a magical age, when kids are old enough to make articulate statements about their experience and young enough to express their feelings without shame. In a couple of years, excitement will go the way of the bag lunch and become uncool, and acceptable poses will shrink to a…
Adam Sandler cast as a former pro quarterback — that laughable setup is about the only funny thing about this pointless, witless remake of The Longest Yard, which wasn’t intended to be taken as a comedy in 1974 and won’t be mistaken for one in its latest incarnation. (It was…
Layer Cake, a new British crime drama from first-time director Matthew Vaughn, is a block of granite struggling to liberate the statue inside it. Vaughn (producer of Snatch and Lock, Stock and Two Smoking Barrels) has plenty of dark threat and compelling visual style, but his ambitious trip into the…
It’s fair to say that Madagascar, directed by one man who made Antz and another who used to work on Ren & Stimpy, is virtually plot-free — nothing more, really, than a scene or two from The Great Escape cut and pasted into an episode of Survivor. Its threadbare storyline,…
It’s a question to which the response should be more than a shrug, but it’s the only thing I can offer anyone who asks, “So, how was it?” The final installment in the mostly irrelevant second Star Wars trilogy is far superior to its immediate two predecessors, The Phantom Menace…
“Somewhere, this could all be happening right now,” spoke the narrator in the trailer for the first Star Wars movie (thereafter known as Episode IV: A New Hope), and to those who were small children then, it rang true. For an entire generation, the Star Wars trilogy could never be…
If you’re expecting a psychological thriller out of Mindhunters and you buy a ticket for the movie, you will almost indubitably feel cheated. But break down the film’s title to its most literal sense — hunting for a mind, presumably because those involved were out of theirs — and you’ll…
It won’t ruin anyone’s experience of 3-Iron, the new film by Korean writer/director Kim Ki-duk, to reveal that it closes with a single epigraph: “It’s hard to tell that the world we live in is either reality or a dream.” Presumably, the correct translation would replace that with whether; even…
Kicking & Screaming might be the most predictable movie of the year, but that’s not necessarily a bad thing. Think about it: How many times have you gone to a movie and gotten far less than you were expecting? Here, that’s not a concern — you may not get more…
Jane Fonda comes from a good Hollywood family and used to be a pretty fair actress herself. Klute, They Shoot Horses, Don’t They?, and Coming Home were three of the better films of their time. So, after getting a look at herself in her first movie in 15 years, La…
Perhaps no filmmaker working today better exemplifies the great humanist tradition of Italian Neo-Realism than the gifted Kurdish-Iranian director Bahman Ghobadi, whose movies — A Time for Drunken Horses, Marooned in Iraq (a.k.a. Songs of My Motherland), and now Turtles Can Fly — deal with the plight of the Kurdish…
Lost Embrace, a new film by Argentinean director Daniel Burman, looks more like a handheld video by the purist Dogme school of Denmark. Centered in Buenos Aires, it’s an unevenly amusing comedy of family reconciliation that looks like a thumb in the eye and tastes of Europudding throughout. Ariel is…
Much of Crash, an L.A.-stories portmanteau about the suffocating embrace of racism, is hard to watch, harder still to listen to. Its characters — the creations of co-writer and director Paul Haggis but also of people who live next door and perhaps even inside of you — say and do…
