When we first see Tony Fingleton, the plucky Australian hero of Swimming Upstream, he’s a cute little guy getting cuffed around by his vile big brother, Harold Jr. That’s just the beginning of a long ordeal. For the next two hours of screen time, Tony (played as a teenager by…
The buzz is golden, the word is out, and this festival’s going to be big. The Friday-night opening screening of Andy Garcia’s Modigliani at the Gusman Center for the Performing Arts sold out so fast that a second showing was added at the Regal Cinema in South Beach for the…
“24 hours. 350 miles. His girlfriend’s kids. What could possibly go wrong?” In the case of Are We There Yet?, here’s the short answer: a flaccid screenplay, bratty kids stripped of depth and personality, a single joke replayed in every scene, unearned attempts at sentiment, and a bizarrely whitened backdrop,…
You have to hand it to Sean Penn. Okay, you don’t absolutely have to, and if you’re a Red Stater through-and-through, you certainly won’t want to, but give him some credit. After being pilloried in the press for visiting Iraq under Saddam’s reign, torn apart by housecats in a puppet…
Some people think they’re a new art form; others see them as adolescent time-killers. Whatever they are, video games don’t make good models for feature films (mostly because their interactive essence is lost), and their clumsy transfer to the big screen continues to invite all kinds of speculation — not…
Assault on Precinct 13, the sluggish remake of John Carpenter’s grungy 1976 movie of the same name, begins with a bang to which it never lives up. In a smoky den of all manner of iniquity, Ethan Hawke’s trying to close a drug deal. With his girl splayed out on…
If you can make it past the first 10 minutes or so of Hide and Seek without busting up laughing, chances are that you’ve never seen a horror movie before in your life. This hack-job of a “thriller” may steal from the best, but it does it so badly and…
Clint Eastwood began digging into the third act of his career — the one that reveals the mature, deep-thinking artist… with a little jazz piano on the side — a dozen years ago, with the discomfiting antiwestern Unforgiven. Since then, he’s hardly come up for air or given himself a…
When was the last time you lost yourself in a Shakespeare film? It’s a testament to the success of William Shakespeare’s The Merchant of Venice, the sharp and brooding new version directed by Michael Radford (Il Postino), that we leave the theater without concern for the production. Instead, the response…
Paul Weitz, with brother Chris, co-wrote and co-directed 2002’s adaptation of Nick Hornby’s novel About a Boy, in which a cocky grown man (Hugh Grant) learned how to actually act like a grown man by observing a gawky young boy (Nicholas Hoult) who was nearly abandoned by his suicidal mother…
Nobody messes with Samuel L. Jackson — at least, not at the movies. He’s Shaft reinvented, the coolest cop on the street. He’s Mace Windu, the only swashbuckler in the Star Wars galaxy who gets to swing a purple lightsaber. Best of all, he’s Jules Winnfield, the ultrahip hit man…
The story is simple enough: Sometime during the dying days of the Tang Dynasty in China, though it could really be any time and any place, two cops named Leo (Andy Lau) and Jin (Takeshi Kaneshiro) sit in a station house drinking tea. They decide one of them will go…
The grim little green-walled apartment where Walter finds himself after his release has the look of a jail cell — with one apparent easement. What seems to be the only window in the place faces a school playground across the street. When Walter looks outside, he often sees kids running…
Over a three-month period in 1994, machete-wielding Hutu tribesmen in Rwanda hacked to death 800,000 Tutsi men, women, and children. News reports, including film footage of the unfolding carnage, were broadcast around the globe. In the face of such unremitting acts of inhumanity, the world community did nothing. It wasn’t…
The Sea Inside, the new right-to-die drama from Spanish director Alejandro Amenábar (The Others), is a flawed film worth seeing. Based on Letters from Hell, a book by quadriplegic Ramón Sampedro about his 30-year quest to kill himself, the movie favors the emotional over the legal, foregrounding Sampedro’s relationships with…
Our best movies of the year actually may have been anything but the best to a few of our critics — such is the dilemma of offering employment to writers of dissenting opinion. In other words, the number-one film of 2004 wasn’t universally heralded by our team of Bill Gallo,…
While Michael Moore and Mel garnered most of this year’s critical attention, plenty of fine films opened to little or no fanfare. Following are our reviewers’ favorite movies that didn’t draw the adulation they deserved. Consider yourself armed for the next trip to Blockbuster: Control Room — In a year…
The critic who takes notes during The Life Aquatic with Steve Zissou will ultimately fill a notepad only with scribbled details: “All the crewmen wear red stocking caps with their tuxedos,” “some names of Zissou’s movies: The Battling Eels of Antibes, Shadow Creatures of the Lurisia Archipelago, Island Cats!,” “one…
A Very Long Engagement, the new film by French director Jean-Pierre Jeunet (most famously of Amélie), will have its fans. For one thing, there’s no denying its beauty, an onslaught of gorgeous tableaux, painstakingly arranged and shot through filters to exclude colors that don’t suit (i.e., anything other than sepia…
This much can be said for the movie version of Lemony Snicket’s a Series of Unfortunate Events: Its villain, Count Olaf, just might be Jim Carrey’s finest screen role. A bitter, would-be master thespian who delights in donning ridiculous disguises and adopting funny accents, he doesn’t seem that far removed…
In Spanglish, which is less a story than a snapshot of a crumbling marriage populated by sitcom characters, Adam Sandler plays John Clasky, an average man with an above-average life. With his burgeoning double chin always covered in a slight shadow of stubble, he’s a celebrated chef who runs his…
If you’ve already decided to see Ocean’s Twelve, it’s probably best not to read much about it. Unlike its predecessor, a remake that clung to a hoary heist formula, the sequel contains ample pleasures, most of which amuse as the result of surprises both great and small. There’s no one…
