Irish charm and British eccentricity are hot properties on this side of the pond — especially among U.S. moviegoers. Witness the phenomenal success here of The Secret of Roan Inish, in which a ten-year-old Irish girl finds her lost brother living among seals off her country’s rugged western coast, or…
There’s no explicable reason for the existence of The Replacements, which is to the football-film genre what Major League was to the baseball movie: sports rendered as sitcom (or Police Academy sequel). The Replacements, which takes as its cue the 1987 National Football League players’ strike, is stocked with every…
In a perfect world, any documentary about televangelists narrated by RuPaul and a couple of sock puppets would be hailed as the unquestionable conceptual masterpiece of the year. Alas, those stodgy Academy voters just don’t understand cross-dressers, religious broadcasting, or foot warmers made to look like dogs. And so the…
It’s a pleasure to say that Clint Eastwood reverses his recent downward slide — A Perfect World (1993), The Bridges of Madison County (1995), Absolute Power (1997), and True Crime (1999), each of which has seemed less satisfying than its predecessor — with Space Cowboys, his latest. It isn’t an…
For most Americans, the social and political issues underlying José Luis Cuerda’s Butterfly may seem remote at best. The tensions between republicans and fascists in Spain after the fall of that nation’s monarchy in 1931, as well as dictator Francisco Franco’s victory in the bloody Spanish Civil War, may have…
It would be the easiest thing in the world to write off But I’m a Cheerleader, the story of a teenager discovering her sexual identity through a program designed to repress it, as a Saturday Night Live sketch somewhat awkwardly inflated to feature length. But when you start looking deeper…
Rather than asking if this senseless and expensive new film from wunderkind entertainer Robert Zemeckis is devoid of merit (it is), or “worth seeing” (it isn’t), we should instead take the movie’s title — What Lies Beneath — as a direct question. Indeed, what does lie beneath? Possible answers include:…
Murphy and Pryor. Skywalker and Kenobi. Amos and Zeppelin. Regardless of the creative universe, the maverick apprentice tends to stride off into territory beyond the edges of the master’s map. So it is with Alan Rudolph, whose career blossomed after serving as assistant director to Robert Altman on Nashville in…
The bewildering penchant of recent American movies for glorifying the lovable naif, the perpetual adolescent, and the village idiot takes a strange new turn in Miguel Arteta’s dark comedy Chuck & Buck. Arteta’s hero, Buck O’Brien (Mike White), is a 27-year-old man-child who eats lollipops all day long, takes refuge…
In Bryan Singer’s last movie, 1998’s Apt Pupil, Ian McKellen portrayed a Nazi war criminal hiding out in the suburbs, passing himself off as an ordinary old man crouching behind drawn blinds. In Singer’s new movie, X-Men, McKellen plays Erik Magnus Lehnsherr, the son of Jews who were murdered in…
Canadian documentarian Ron Mann, who previously examined aspects of pop culture in Comic Book Confidential (1988) and Twist (1992), takes on a broader and more controversial subject in Grass, a history of America’s second-favorite smokable substance. As he has done before, he provides a sugarcoated crash course on a huge…
Why is the film called Disney’s The Kid? Is it really possible that the studio was so concerned that someone might actually mistake the film for an update of the Chaplin classic that the brand name had to be formally incorporated in the title? Or was this an attempt to…
Director Alison Maclean, from Canada by way of New Zealand, turns her camera on the American landscape — or more accurately the underbelly of the American landscape — in Jesus’ Son, an uneven but often effective adaptation of Denis Johnson’s autobiographical book. Billy Crudup stars as a thoroughly marginalized character…
The press kit for The Perfect Storm contains the damnedest thing I’ve ever read: a “special request” that reads, in full, “Warner Bros. Pictures would appreciate the press’ cooperation in not revealing the ending of this film to their readers, viewers, or listeners.” All due apologies, but that seems highly…
Despite what many believe, it doesn’t come down to explosions, star power, or millions of greenbacks thrown at the producers. The true indicator of success for a summer movie is the Moment, that one memorable scene that sticks in your head, the one that Billy Crystal parodies the following spring…
About nine years ago, in a humble Southern California nightclub, urbane British folksinger Billy Bragg reappraised 20th-century politics — as is often his socialist wont — by means of an intriguing correlation. Might it be, he postulated, that contemporaries Leon Trotsky and Harlan Sanders were not merely striking doppelgängers but…
In the new Jim Carrey farce, Me, Myself & Irene, the rubber-faced comedian plays a meek Rhode Island state trooper named Charlie whose aggressions are so pent-up that they finally have to break out in the form of a second personality called “Hank.” Where Charlie silently endures potty-mouthed curses from…
It’s the year 3028, and man… is an endangered species! (Haven’t we heard that somewhere before, like last month?) But this time around, the threat is a little more intimidating than those effeminate, Xenu-worshiping Conehead psychologists in platform boots. The villains in Twentieth Century Fox’s new animated spectacular Titan A.E…
Sixty years after Walt Disney’s original plans to expand on the 1940 Fantasia, Walt Disney Pictures has finally gotten around to making new musical segments for a reprise of the film’s classical-music-cum-animation concept. Fantasia/2000 has seven new sequences, with that old favorite, “The Sorcerer’s Apprentice,” thrown in for old times’…
Blink — or, more likely, doze — and you will miss it, this tiny, beautiful oasis in the middle of an otherwise barren wasteland. For a moment — a precious, frustrating moment to be treasured in a movie that flaunts its disposability — Nicolas Cage reminds us how good an…
Apart from mass cultural annihilation, beatniks, Hee Haw, and some dumb-ass sports, most pop-culture trends are not homegrown but imported to America after prolonged cultivation overseas. Take that novelty food tofu, for instance, dubbed le curd du soy by uncredited Belgian sailors exploring China centuries before 1958, when the little…
It is difficult to reconcile American perceptions of Iran, a rigidly authoritarian Islamic fundamentalist society, with the captivating and compassionate films that emanate from the country. Most of these pictures, including the 1995 Cannes Film Festival Camera d’Or winner The White Balloon and the 1998 best foreign-language film Oscar nominee…
