Arts & Culture

From the trailer, and just from its initial vibe, Joel Edgerton’s directorial debut The Gift looks like your stock “When bad things happen to good people” thriller, complete with a soulful pet dog you just know is going to get it. But dog lovers, and everyone else, should know that…

1. Really, it’s all in one line of dialogue. Late in Josh Trank’s Fantastic Four, that ever-lovin’ man-mountain Benjamin J. Grimm sets himself at last to the good work of bad-guy punching. As he rushes off to pound Doctor Doom, he mutters, “This is what I do.” He’s resigned to…

Some of the best love songs are those whose lyrics perch precariously between “I adore you, let’s be happy forever” and “I’m miserable without you, where have you gone?” Together, the melody and words of Kurt Weill and Ogden Nash’s 1943 ballad “Speak Low” take the shape of a vaporous…

Jonathan Demme’s rock ‘n’ roll dramedy Ricki and the Flash exists in a wormhole where the past five decades of pop culture are a blur. There’s 66-year-old Meryl Streep, playing a broke singer who ditched her family to dominate the stage with the whiskey growl of Janis Joplin, the jangly…

BoJack Horseman lurched out of the gate last year with a whole lotta animal puns and one uncomplicated thesis: Old sitcoms suck. An aggressively stupid and mawkish show from the late Eighties called Horsin’ Around, about an equine-human hybrid in Cosby sweaters who adopts three adorable orphans, made its star,…

At the start of Woody Allen’s campus comedy Irrational Man, caddish professor Abe Lucas (Joaquin Phoenix) drives up to a new school that has already steeled itself for his arrival. “Of course, my reputation — a reputation — preceded me,” admits Abe. Such defensiveness also applies to his tabloid-attacked director,…

There’s probably only one humanist film that opens with the words “Merry Christmas Eve, bitch!” accompanied by the proffering of a single, sprinkle-dusted doughnut. In Sean Baker’s Tangerine, best friends, transgender women, and prostitutes Sin-Dee and Alexandra (Kitana Kiki Rodriguez and Mya Taylor) catch up at a doughnut joint on…

It’s been 32 years since the release of National Lampoon’s Vacation, in which Chevy Chase, as dad Clark Griswold, packed his Griswold clan into what looked like a Country Squire from Hell and sought the family-bonding experienceTM by driving cross-country to a mythical mega — amusement park known as Walley…

Anecdote #1: Chris Farley made a habit of pouncing on Mike Myers — at the same exact time each week — during the early- to mid-1990s era in which the two starred on Saturday Night Live. The elfin Myers deliberately took showers at a fixed, quiet time, but each week,…

How much time would you like to spend in the company of benignly kooky hobbyists? That’s the question to ask before committing to docu-commercial A Lego Brickumentary, a largely genial but frequently wearying feature-length toy ad. The film’s central conceit is sound enough: Lego construction kits “unlock [users’] imagination,” in…

At 53, Tom Cruise is past the retirement age of every James Bond except Roger Moore. Yet not only does his 19-year-old Mission: Impossible series tick on, counting down the seconds till its next explosion, but Cruise’s Ethan Hunt is also determined to unman his cross-Atlantic competition. Forget high-tech gadgets…

The pizza joint Shakey’s in Hollywood is packed when transgender actresses Mya Taylor and Kiki Rodriguez slide into a booth with their director Sean Baker, whose shot-on-location-and-on-iPhone comedy Tangerine was the most talked-about surprise of this year’s Sundance Film Festival. Taylor, the quieter and more glamorously aloof of the pair…

Here’s a shocker: In Pixels, his latest, Adam Sandler plays a stunted man-child who turns out to be very, very special. That’s his ecological niche: the Manic Potbellied Dream Dork, or, if you prefer, the fragile Sand-Man. Sandler films have predictable scripts: In two hours or less, he’ll transform from…

The opening of Antoine Fuqua’s Southpaw, shot in gritty, grayed-out tones, is a grim harbinger: A fighter getting ready for the ring holds up his meaty paws for the ritualistic wrapping of gauze and tape. His gloves are slipped over the wrappings, and then they’re taped on too — but…

“Ireland is the old sow that eats her farrow,” Stephen Dedalus declared in A Portrait of the Artist as a Young Man. In the case of Jimmy Gralton, she took bites and spat him out a couple of times. It’s tempting to say some people never learn, but, as played…

Whiskery and restless, grooving and grotesque, the documentarian Les Blank’s long ­suppressed film A Poem Is a Naked Person plays like your memories of some mad, stoned last­ century summer. Commissioned by the boogie­-woogie piano bluesman Leon Russell, who is more this roaming doc’s fitful center of gravity than its…