In Hausner’s Amour Fou, the End Is Refreshingly Pragmatic

Austrian writer-director Jessica Hausner has an unerring talent for examining, skeptically but never cynically, grand notions about destiny: What we perceive as — or have convinced ourselves to be — the workings of fate, whether religious or romantic, is ultimately better understood as arbitrary or coincidental occurrences. In Lourdes (2009),…

Disney’s Monkey Kingdom Is Wonderful and Full of Lies

Truth in film takes another jolly beating in Disneynature’s Monkey Kingdom, a documentary-like nature flick with the last-century chutzpah to pass off its marvelous footage of some months in the life of a single-mom macaque as a full-fledged princess story, with three acts, a tearful exile, and her ascent, in…

Game of Thrones Season 5 Preview: Women Warriors Take Over Westeros

It may be hard to remember now, but there once was a time when Daenerys was the most exciting character on Game of Thrones. Played by Emilia Clarke, the exiled royal best embodied the HBO drama’s paradoxical appeal: its mix of historical authenticity and rousing fantasy. Reduced to currency by…

Pippin at the Broward Center Connects With Audiences

Pippin is not your average, ordinary everyday kind of Broadway show, and that’s exactly why you should go see it. Birthed in 1972 by writer Roger O. Hirson, choreographer Bob Fosse, and composer Stephen Schwartz, this deeply significant yet hilariously satirical musical has been revived for our modern-day stage. After…

In Defense of Furious 7

Furious 7 and While We’re Young are two very different movies — one’s all synchronized driving and explosions, the other’s all sorta-depressed New Yorkers who don’t drive — but both receive generally positive reviews from Alan Scherstuhl and Stephanie Zacharek of the Village Voice, and Amy Nicholson of LA Weekly,…

Mad Men: What’s Left After Achieving Everything?

Mad Men has always been, among many other things, about the exit of the old guard and the entrance of the new — and the acceleration of that transition by the mood and the movements of the Sixties. The pilot, set in 1960, finds the Sterling Cooper higher-ups scrambling to…

In Danny Collins, Al Pacino Stares Down His Stardom

Some years ago, I went to see Tom Jones perform. He sang all the hits, but I was unnerved by his new, walnut-brown goatee. It looked freshly trimmed and fake, like he’d ripped it off Evil Spock backstage. Superstars aren’t allowed to change. Even the fans who love them insist…

Effie Gray Vaguely Damns Ruskin as a Prude

In 1848, Euphemia Gray, a bright and pretty young girl from a family of modest means, left her home in Scotland to marry her era’s equivalent of an art-world rock star, the imposingly erudite critic John Ruskin. Perhaps as early as her wedding night, Effie knew she had made a…

Ballet 422 Is a Stirring Portrait of Deep Focus in Creative Work

It seems as if, for every ten issue-oriented documentaries that essentially function as long-form magazine articles with images attached, we get perhaps one doc that exemplifies the methods of “direct cinema” — the observational mode of documentary filmmaking that allows audiences to observe from a detached remove. That mode is…

Insurgent Might Be a Synonym for ‘Brain-Dead’

We’re two films in to the kiddie-dystopia Divergent franchise, and it’s still unclear if the sequel’s director, three screenwriters, eight producers, and especially original novelist Veronica Roth have bothered to double-check a dictionary. Divergent, and now this new sequel Insurgent, tracks the monotone mishaps of Tris (Shailene Woodley), a very…