Arts & Culture

“The public really doesn’t listen when they’re being told straightforward facts,” says the Amazing Randi. The magician, escape artist, and tiny lion of principled skepticism, now north of 80, leans forward in a black chair, all knees and elbows and Old Testament beard. If it weren’t for that sharpie’s suit…

There are two kinds of humanist movie. One kind shows human beings struggling against the most unspeakable horrors, sorrows, or injustices and still somehow emerging with their essential goodness intact. The second, thornier type gives us people doing terrible things to one another — screaming, cheating, and generally making life…

There’s no empowerment message embedded in Kenneth Branagh’s Cinderella, no “Girls can do anything!” cheerleader vibe. That’s why it’s wonderful. This is a straight, no-chaser fairy story, a picture to be downed with pleasure. It worries little about sending the wrong message and instead trusts us to decode its politics,…

“Mark Twain said boxing is the only sport where a slave, if he’s successful, can rub shoulders with royalty,” says former heavyweight Mike Tyson, who once knocked out nineteen opponents in a row. “Can you imagine that? Just by fighting another human being, he can meet a king, a prince,…

In the action thriller The Gunman, Sean Penn, at age 54, looks neither old nor young. He’s been in training to look this age for a long time. Even as a relative kid, in 1982’s Fast Times at Ridgemont High, his sailor-on-shore-leave mug had a wry, quizzical roughness to it; it was…

The Amazing Randi insists that the public wants to be fooled, that it’s easier and more comforting for us not to see unromantic truths — you can see him proclaiming this, a little sadly, in Justin Weinstein and Tyler Measom’s doc An Honest Liar, which plays like a companion piece…

Céline Sciamma’s pained, thrilling, observational tale of growing up broke and black in slab-like Paris flats is no rebuke to Boyhood, but its besties-dancing-to-Rihanna rhapsody eats the lunch of that bit where Richard Linklater has Ethan Hawke drone on about Wings. They sing, “We’re beautiful like diamonds in the sky!”…

Almost immediately after it was released, the 2011 stealth hit Best Exotic Marigold Hotel became more a punch line than a movie. Who knew “older” people were so starved for pictures featuring gorgeously shot exotic locales, not to mention people falling in love, falling out of love, or desperately hoping…

From Sundance to Toronto to South by Southwest, Miami filmmakers have made their mark on the festival circuit. The city’s most buzzed-about collective, Borscht Corp., has had work accepted at major gatherings around the world — but never at the Miami International Film Festival (MIFF). Until now. MIFF, which returns…

The world is a terrible place. That’s the uncompromising truth with which Tina Fey and Robert Carlock begin Unbreakable Kimmy Schmidt (Netflix), their follow-up to the under-seen but culturally monumental 30 Rock. The very first scenes of Unbreakable’s first season, which will be released in its binge-able entirety on March…

It’s an ironic truth that directors fascinated by robots tend to make inhuman movies. From Ridley Scott’s Blade Runner to last year’s Transcendence, these stories that ponder the gap between man and machine often reveal filmmakers unsure of where they fit in — they get so involved in the question…