M:i-2 Gets the Job Done

Early on in Mission: Impossible 2 (or M:i-2, as the confident Paramount now calls it), hero Ethan Hunt (Tom Cruise) complains to his boss about his new assignment: “It’s going to be difficult.” “It’s not mission difficult, Mr. Hunt,” the boss icily replies, “it’s mission impossible. ‘Difficult’ should be a…

Enter the Drag

Do not judge Shanghai Noon by its trailer, which serves as the very antithesis of advertising: It begs you to stay far away from any theater in which this film is screening. Laden with dreary sight gags (a horse that stays by sitting… just like a dog) and woeful puns…

Mud Pie

Road Trip makes American Pie look like Fast Times at Ridgemont High, Fast Times like Animal House; and Animal House like Citizen Kane. It ranks (indeed it is rank) among the most soul-deadening movies ever made; it has no pulse and seeks to steal yours with a cynical vengeance. Oh,…

A Tribute to Lovable Losers

Woody Allen is back on screen in Small Time Crooks, a bittersweet comedy that in many ways could have been lifted straight from the ’30s. For the most part, it’s Woody Allen Lite, which is not at all a bad thing. While one doesn’t want to penalize Allen for his…

Red Shoes 2000

When asked to name the most erotic sequence they have ever seen in a film, people tend to pick moments like the love scene between Julie Christie and Donald Sutherland in Don’t Look Now or that indelible image of Kathleen Turner in Body Heat, standing just inside her house, silently…

Dark Journey

Poor Kim Basinger! In her first role since bagging the 1998 Academy Award for Best Supporting Actress (for L.A. Confidential, the film that should have won Best Picture and Best Director as well), the actress positively trembles with what seems to be fear. Notoriously insecure about appearing on camera, Basinger…

Chicken Caesar

There is a killing late in Gladiator, Ridley Scott’s new heroic epic, and it is one of those wonderfully cathartic extinguishings that make a wide-eyed audience rise and cheer. After several brutal battles, after much bloodshed, after considerable suffering both needless and entertaining, a blade finds its mark, and a…

Empire’s End

Unless you’re iron-willed Margaret Thatcher or some other sort of imperialist nostalgiaphile, it’s hard to get choked up these days about the demise of the Anglo-Irish aristocracy. For one thing it’s now 80 years after the fact; for another, joint government in Ireland remains a dicey proposition, and the Troubles…

Broad Band

Go get a few grains of salt to accompany these observations of tenable consistency and enduring potential: The movie industry is run by big kids; nifty sci-fi trickery may distract an audience from emotional shoals; cops and criminals are divided by a fine line; nostalgia and evil are cheaper by…

Where the Stars Are

You’re just going to have to accept that Natalie Portman and Ashley Judd are far too glamorous for the roles they inhabit in Where the Heart Is. It’s an issue that probably won’t hurt the film’s reception: Remember Julia Roberts in Steel Magnolias? Your average moviegoer loves movie stars and…

Foul Shots

Love & Basketball is divided into four quarters; thank God there’s no overtime. The directorial debut of writer Gina Prince-Bythewood, who once penned scripts for A Different World and Felicity, is a film built upon transitions so weak and obvious it’s astonishing the entire thing doesn’t collapse on itself. You…

The Last Word

In the rich mythology of The New Yorker, a periodical renowned for the quality of its writing and the quirks of its writers, no legend carries more weight than that of Joseph Mitchell. On the occasion of the magazine’s 75th anniversary, it is currently great sport among the literati to…

Fall of the Roman Emperor

Titus, Julie Taymor’s gorgeous film version of Shakespeare’s Titus Andronicus, with Anthony Hopkins as the doomed title character, may be the most opulent release of the year… and also the most perverse, on nearly every front. It’s easy to see why there has never been a feature version of this…

A Killer in His Own Mind

It’s quite possible that American Psycho is a brilliant movie. It’s also quite possible that it’s a dreary, obvious chop-’em-up dressed in Alan Flusser suits and Ralph Lauren boxers, drenched in Pour Hommes aftershave, all to disguise it as bracing satire on the greed-is-good ’80s. The option audiences choose to…

Rapper’s Delight

Beats, please. Claudia Schiffer, Claudia Schiffer, makes a fellow want to lean in close and sniff her. Putting up a gender fight in Black and White, she turns her tail on any man who’d treat her right. Rianne Eisler-esque, twaddle-spewing supermodel, into the arms of bad boys she’ll wantonly waddle…

Misbegotten in Denmark

What is it with filmmakers and mental retardation? It seems as though use of the differently abled as a central theme ranks second only to troubled childhood when it comes time to make a “personal” film. The connection between the two is fairly obvious: the artist as gentle innocent besieged…

Empty Head

Not so long ago, The Skulls would have starred Tom Cruise — but in which role? He could have been either lead; the one he didn’t choose could have landed in the lap of James Spader or Rob Lowe. One can easily imagine Cruise as Luke McNamara, the beefy, rough-and-tumble…

Mary, Quite Contrary

Merchant/Ivory Productions has long been America’s quintessential purveyor of classy “literary” films. At its best the team of director James Ivory and producer Ismail Merchant has given us A Room With a View (1986) and The Remains of the Day (1993); at its worst Slaves of New York (1989) and…

Desperately Seeking Anima

O! Sweet vulture of love! Picking through the bones and sinew of doe-eyed fools the world around! How exquisite is thy rending, how blissful the release! Spirits in crimson rivulets swirled, souls as carrion shredded! Two vibrant hearts made still as one, to sate thy gnashing beak! Blessed bloody bird,…

Turning Japanese

The gun is a coward’s weapon, always has been, always will be. Likening it to the sword is like equating rape to romance. However, for reasons that can be attributed only to collective insanity, Hollywood absolutely loves to romanticize the gun, serving as an adjunct advertising agency for the firearms…

Pluck of the Irish

If you think the prevailing attitude toward sex in the United States is often somewhat backward, consider that of late-1960s Ireland, as depicted in Agnes Browne, the new movie directed by Anjelica Huston. When asked by her best friend Marion (Marion O’Dwyer) if she misses “it,” the recently widowed Agnes…

Grappling For Respect

It’s OK. You can say it. Just five little words. Don’t be shy. “I… am… a… wrestling fan.” You certainly wouldn’t be alone if you said it. Recent surveys show that as many as one in four Americans watches professional wrestling, and the World Wrestling Federation (WWF) routinely has the…