You can’t expect a storyteller to wring much suspense out of a real-life plot to assassinate Hitler. In the case of Georg Elser, the subject of Oliver Hirschbiegel’s German drama 13 Minutes, the filmmakers must contend not just with the fact that we know Elser’s 1939 bomb won’t end the…
A “feminist” film need not portray all its female characters in a positive light. Women aren’t a monolith of benevolence. Still, a film with multiple female characters who are equal parts sympathetic and sadistic, who face off against one another in a battle of wits and will, exposing some harsh…
Jenny Slate’s laughter comes out in a wild gush, as though she’s been shaken and uncorked, the sound somehow puppyishly sweet and punkishly impolite. Her characters, cheery cynics, often fail to quite match the mood of a room, so their amused eruptions can hurt feelings, stir bafflement, inspire the ol’…
We’ve all had that Uber driver. The lady that had you clinging for dear life as she barreled through your neighborhood at 75 mph. Or the dude who refuses to give up his collection of petrified French Fries preserved in the back seat where you’re sitting. There are some…
Insecure returns July 23 on HBO No moment captures the elations of HBO’s Insecure better than the opening scene of the sophomore season’s second episode. The morning after sleeping with her ex-boyfriend, Issa (Issa Rae) recounts her confusion about the abrupt quickie to her snappish best friend, Molly (Yvonne Orji)…
When Skyler White challenged her husband’s secret fun life of crime on Breaking Bad, the backlash to her drove Anna Gunn to write an op-ed in The New York Times. Gunn revealed that a number of disturbing “hate boards” had often conflated her with her character, inspiring some to threaten…
The nerve-racking war thriller Dunkirk is the movie Christopher Nolan’s entire career has been building up to, in ways that even he may not have realized. He’s taken the British Expeditionary Force’s 1940 evacuation from France, early in World War II — a moment of heroism-in-defeat that has become an…
It must be nice being Luc Besson, stuck at the age of 14 for the past 44 years. Back when I was that age, in the late 1980s, Besson was among my favorite working filmmakers. I adored the earnest wonder of the deep-sea worlds of The Big Blue (1988) and…
Truth in advertising: Girls trip hard during their New Orleans getaway in Girls Trip, which maybe doesn’t need that possessive apostrophe after all. Malcolm D. Lee’s comedy, written by Kenya Barris and Tracy Oliver — the same creative team behind last year’s uneven Barbershop: The Next Cut — pops with…
Summertime means road-tripping and water-sliding. From South Florida’s largest water park to Miami-Dade’s only wave pool, the region has plenty of ways to stay cool for the summer. If your hot-weather plans include breaking the world record for most time spent floating on a lazy river, we’re not here to judge.
Dueling images of Catholic nuns portray either holier-than-thou punishers in habits or hippie types with acoustic guitars, like the postulant Maria in The Sound of Music. Both stereotypes obscure the fact that, in real life, a lot of nuns are just … kind of weird. At one of the many…
Somehow, while we were worrying about superheroes and star destroyers and hot rods and whether Captain America could beat up Superman or whatever, the goddamned Planet of the Apes movies became the most vital and resonant big-budget film series in the contemporary movie firmament. And they did it with the…
Edgar Wright’s Baby Driver is a remorselessly entertaining, impeccably assembled action-musical in which cars and people defy the laws of physics and common sense. They leap into gunfire and hop over hoods and careen down streets in perfect time to the beats of an unimpeachably cool soundtrack. It’s all absurd,…
A film often smartly attuned to language, Beatriz at Dinner — a sober comedy about class clash and soft-to-hard racism directed by Miguel Arteta and written by Mike White — operates in several different idioms. English and Spanish (sometimes unsubtitled) are spoken, as are the lexicons of healing and affluence…
At least Rough Night, Lucia Aniello’s dutifully raucous new bachelorette-party comedy, achieves verisimilitude. It’s a rough watch and an evening killer, this film about friends who seem not to love, like or even really know one another. If you enjoy strained fun with people who have grown apart from you,…
Here’s something I never guessed I would say: It might be worth going into the new Cars movie spoiler-free. Without giving anything away, I can tell you that, at its climax, this latest installment in a springtime of sequels the world doesn’t need eases into a surprising new gear and…
Megan Leavey is a war picture, but the scenes of combat, while suitably tense, are not its selling point. Instead, the film, based on a true story, follows aimless young Leavey (Kate Mara), who in 2003 leaves home to become a Marine. Director Gabriela Cowperthwaite condenses the scenes of boot…
The trailer for Henry Koster’s 1952 adaptation of My Cousin Rachel channels hysteria as the voiceover asks, “Was she woman or witch? Madonna or murderess?” Unfortunately, the film itself proved far tamer than the marketing suggested. The novel’s author, Daphne du Maurier, who also penned The Birds and the psychological…
A couple years into his supposed retirement, the 80-year-old Ken Loach showed up at Cannes with I, Daniel Blake and proceeded to win the Palme d’Or (his second, after 2006’s The Wind that Shakes the Barley). The film follows an aging carpenter (Dave Johns) with a heart problem and a…
Who knew Cate Blanchett wanted to be Tracey Ullman? That’s probably not the reaction director Julian Rosefeldt hopes will be stirred by this rigorous series of monologues, stitched together from more than 50 artistic and political manifestos and performed by Blanchett as 13 characters. But, like Ullman, Blanchett takes the…
The 2017 Cannes Film Festival wrapped up last Sunday with a slate of generally predictable (and perfectly worthwhile) awards. And while it may have been a somewhat lackluster year for the festival’s main competition, there were plenty of cinematic treasures to be found on the Croisette – even a couple…
Sure, we’ve all gotten desensitized to screen violence, but that doesn’t mean we can’t be shocked. Ken Loach’s quietly furious I, Daniel Blake will likely jolt you with its depiction of a different kind of killing: the paperwork, on-hold music and long-wait rigmarole a widowed English woodworker endures while trying…
